也不知道为什么，可能是骨子里就喜欢文化，一直坚持走着这条路。历时两年，也算终得正果。两年间，经历了太多。有伙伴中途离开而失落，也有因求路无门而迷惘。曾经甚至还质疑过文创这条路到底能否继续走下去。

成功者正是坚持了常人无法坚持的事，所以成功了。因为这句话，我们做到了现在。

在我们的产品还没有上市的时候，也得到了很多人的帮助，当然更多的则是信任「。

在这特意将全体成员列出致谢：

杨韵、缪圣鈞、桑静、雪翔、黄伟滨、孙义勇，李福、林玉珠

特别感谢一个在我背后默默支持和付出的人：

老婆大人

2018年我们第一次尝试转化中国某些物质文化遗产，成立了朴道造办，发起了【国潮再起】国风〗传递计划。第一季我们选择了中国瓷器。将瓷器第一次以贺年祈福的方式呈现给大众，引起了网络和友人的关注。

在国内市场不乏有志之士对传统⌒　瓷器进行传统式的改造。但定位以及表现手法上无法达到美观实用以及文化普及相结合的层面上。

我们沉浸半年，潜心研究瓷器的改造以及市场需求。用近半年的时间走访12座城市，拜访了14位手艺人，阅读了数百张年画人物像画。

最终确定了市场和策略规划定制，一是让消费者能『读懂我们的设计；二是让消费者更愿意使用我们的产品。

2019年，接近两年的研发以及调整。我们推出了朴道█造办文创第一季“迎尊”作为贺岁年礼面向市场。在年文化减淡、西方文化盛行当下，再起国潮。

In 2018, for the first time, we attempted to transform some of China's material and cultural heritage, established Park Dao, and launched the National Trend Resurgence Project. In the first season, we chose Chinese porcelain. It is the first time that China is presented to the public in the way of celebrating the New Year, which attracts the attention of the network and friends. In the domestic market, there are many people with lofty ideals to carry out the traditional transformation of traditional porcelain. However, the orientation and expression methods can not achieve the level of combination of aesthetics and practicality and cultural popularization. We have been immersed for half a year, devoted to the study of the transformation of porcelain and market demand. In nearly half a year, I visited 12 cities, 14 craftsmen and read hundreds of New Year portraits. Finally, the customization of market and strategic planning is determined. First, consumers can understand our design; second, consumers are more willing to use our products.

In 2019, nearly two years of research and development and adjustment. We launched Park Dao's first season of Wenchuang, a "cup (generation) of children" as a New Year's gift to the market. With the decline of culture and the prevalence of western culture in the year, the tide of the nation has risen again.

作品名称：迎尊

设计出品：朴道造办